The new record I’m most excited about right now is by the Weather Station, a folk outfit from Toronto fronted by the singer and songwriter Tamara Lindeman. “Thirty,” the first single from “The Weather Station,” the group’s fourth record, which comes out this fall, is a song that could take a punch to the face—an urgent retelling of her thirtieth year, its triumphs, its jokes, and its failures, and how difficult it is, sometimes, to tell those things apart. Lindeman has a poet’s eye for precise, unsentimental detail (“I noticed fucking everything,” she sings, recounting a scene at a gas station), and the rigor of her narration recalls Courtney Barnett’s “Depreston,” maybe the best song ever written about ennui and real estate. “That was the year I was thirty, that was the year you were thirty-one,” Lindeman sings. How does a person suss out the proper arc of a life? She doesn’t know, either. “That was the year that we lost or we won.”
– Amanda Petrusich, The New Yorker
I’ve been a fan of The Weather Station for a while now and always quite enjoyed her albums, but this one is on another level. These songs sit in a place between thought and expression, where the music flows confidently from heart to tongue. It’s filled with feminist politics, kindred spirits, conversations and heartbreak, all well played as inspired gems. She’s lived these words. They are her being. They are her stories.
– Bob Boilen, NPR Music First Listen
Both serenity and storminess infuse the songs that Tamara Lindeman, from Toronto, writes as the Weather Station. Her band’s folk-rock is steeped in Joni Mitchell and Fairport Convention, weighing the textures of interwoven guitars; her lyrics reveal her interior monologues with a literary, lived-in sense of detail, often pondering the ways a couple’s lives can grow together and apart: “An ambulance passed on the street, and you took my arm reflexively,” she sings in “Thirty.”
– Jon Pareles, The New York Times
8.0 From front-to-back, this is the first The Weather Station album that sounds as fleshed-out and powerful as the world it contains. It’s a balancing act that can swerve in a heartbeat from romantic comedy to psychological horror.
– Sam Sodomsky, Pitchfork
9/10. Lindeman could never pass unrecognized. No one else is writing true-life songs with such a command of nuance and ellipsis, with such generosity of unguarded emotion and careful economy of means, like Sam Shepard writing haiku.
– Richard Williams, Uncut
#4 Album of 2017. Tamara Lindeman deftly moved her career into a new phase this year. She artfully transcended her folk background, rocking out a little without ever losing intimacy and focus, or detracting from the precision or valence of the exceptional poetry with which she stocked her songs.
– Uncut
Lindeman’s latest is a bolder demonstration of her talent and of the turbulence that’s always threatening to overwhelm the more placid kind of beauty in her songs
– Uncut (feature piece)
4 stars. Getting direct to the emotional nub of a song, but with words aplenty, more like a Raymond Carver short story than Joni [Mitchell] or Bill [Callahan], so closely woven are these 11 tales of love (lost and found) and memory.
– Martin Aston, MOJO
My favorite songwriter these past few years. Self-titled, the LP is a show of force in both what she sings and doesn’t. Another triumph.
– Duncan Cooper, The FADER
Lindeman is a brilliant, opaque storyteller, with a writerly eye for natural landscapes and the shifting, momentary micro-climates of relationships. If the album was made by someone meditating over a state of turmoil, its confidence and transporting quality leave the listener struck by an artist exhilarated by new possibilities.
– Alasdair Lees, The Independent
An inspired continuation of a rich tradition of intensely-disciplined, self-interrogative pop songwriting. The taut arrangements on The Weather Station, adorned here with aerial surges of strings, create The Weather Station’s own specific music universe, at turns claustrophobic or extending all the way towards a distant horizon.
– Winston Cook-Wilson, SPIN
Though the self-titled LP is every bit as gorgeous and engrossing as previous triumphs, it’s looser, more enraged, and far more restless. It’s a set of songs about defining oneself, about recognizing the changing winds that swirl around us, and dedicated to poring over the words and ideas that bind us together. It’s Lindeman’s most accomplished and seems to reveal more brilliance with each listen.
– Jason Woodbury, Aquarium Drunkard
Moody rumination and rollicking, serpentine jams… rolling diction and effortless wordplay, with all of those carefully assembled pieces coming together with beautiful clarity.
– Rolling Stone
9/10. Tamara Lindeman, aka the Weather Station, is one of Canada’s best songwriters. The Weather Station is Lindeman’s loosest, most confident album yet, but it may also prove to be her most deeply psychological; she doesn’t hold back.
– Sarah Greene, Exclaim!
9/10. The fourth album from Tara Lindeman aka The Weather Station is this year’s most remarkable feat of songwriting. It shares a commonality with the greats. Lindeman is an orator of life, one that is so superb that she is beyond it, while simultaneously being embodied within its light, colours, joy. Great works contain multitudes, and that is exactly what you’ll get here. It captures so much that its beauty is almost unbearable.
– Emma Madden, Drowned in Sound
8/10. These songs—even the quiet ones—are bold, messy, unflinching, humming with life. Lindeman’s lyrics, laid out on the page in full sentences, read more beautifully than song lyrics have any right to; each one a succinct, evocative, pithily observed short story. On record, her words translate effortlessly, almost miraculously, into songs that are by turns chatty, fluidly melodic, and in spots, deftly hooky.
– K. Ross Hoffman, Magnet
8/10. “I noticed fucking everything”, Tamara Lindeman snaps on “Thirty”, the remarkable first single from her superbly energised fourth album under The Weather Station guise. That’s as good a description of the Toronto-based songwriter’s style as any.
– Janne Oinonen, The Line of Best Fit
If other songwriters fight to fit their words within a song’s measure, Tamara Lindeman takes the opposite tactic as the Weather Station. Her verbose songs are chock full of words — their inflections adding rhythmic scope, their syntax unraveling deeply personal confessions.
– Amanda Wicks, The Bluegrass Situation
The power of Tamara Lindeman’s music is in the details. Even more than her stark melodies, which often share the persistent flow of a car in motion, her lyrics provide the momentum, unfolding her narratives with patience and precision. As things move faster, she suggests that these subtle, shared moments are how we mark time. Few songwriters capture them with such fluidity.
– Pitchfork
Four albums in, The Weather Station reveals an artist in full bloom, as Lindeman has pruned her process to move beyond the beautiful, confessional style of critically acclaimed albums past to create an elaborate, holistic statement that honors the complexity of the artist who created it. Lyrically, Lindeman finds the freedom to celebrate intimacy and lament distance, acknowledge beauty and trace old scars-all enmeshed in a wild bouquet of musical varietals from sparse solo piano to pulsing near-rock rhythms and guitar lines. The Weather Station inhabits the intersection of personal and polished like few albums can.
– Matt Conner, Under the Radar
Another fervent chapter in The Weather Station’s story, conjuring up the kind of subtle magic that can lend the heaviest of blows. Her exquisite compositions are able to light up whichever room they find themselves despite – or perhaps in spite of – the heavy-heart that seems to drive the whole project forward.
– Tom Johnson, Gold Flake Paint
4 stars. Dynamic, with a flint-like toughness.
– Record Collector
Timeless… Measured, perceptive storytelling. A singer with an unmistakable & communicative voice, able to convey hope & hurt with equal clarity.
– Pitchfork
She writes literate songs with unusual precision & sings them in an understated, open-hearted way that lends good poetry the directness of conversation.
– Uncut
One of Canada’s finest folk songwriters and guitarists.
– Caitlin White, UPROXX
Tense and uncertain, The Weather Station will keep you tuning in.
– Bill Meyer, Dusted
The Weather Station’s arresting folk-country “Thirty” is going to make you feel some feelings. Guaranteed.
– The Fader
Is Tamara Lindeman Americana’s best-kept secret?
– The Observer New Review
Bob Dylan aside, the singer-songwriter I’ve listened to most over the past year, & to whom I expect to be paying attention for many more to come, is Tamara Lindeman, who, under the name the Weather Station, performs songs notable for a conversational fluency, a diarist’s powers of observation, & a quiet refusal of emotional simplicities.
– Richard Williams, The Guardian
Brash, boisterous, and ballsy. A defining moment in an intriguing and hugely rewarding output.
– Del Day, Shindig!
87/100. her fourth outing is by far Lindeman’s strongest so far, and a significant artistic progression from her previous work in almost every way. It’s hugely satisfying to see a follow-up that marks such a pronounced evolution from past works and, with their self titled album, The Weather Station have crafted a truly excellent album.
– Gigsoup
4 stars. Her most complete work yet. A sublime take on the songwriter’s need to confess and confide.
– Gareth Thompson, RnR
