We’re delighted to welcome Itasca, the musical project of Los Angeles-based guitarist and songwriter Kayla Cohen, to the PoB roster. Stay tuned for more details on a new album to be released in late 2016. In the meantime, Itasca will be touring the U.S. this May. “This feeling that we, as listeners, have been granted access into Itasca’s private inner sanctum is what helps give [Cohen’s music] its quiet gravity.” – Pitchfork
Feast your eyes on a preview of the beautiful packaging for our definitive, deluxe edition of Terry Allen’s 1975 masterpiece Juarez, the first-ever reissue on vinyl, including some of the restored original artwork. Thanks to Uncut for the interview with Terry–which touches on the Velvet Underground, Capt. Beefheart, and beans–and the 9/10 review.
Halfway through her European tour supporting Basia Bulat and Damien Jurado, and nearly a year after the release of her groundbreaking album Loyalty, Tamara Lindeman of The Weather Station is sharing an intimate behind-the-scenes look at her songwriting and creative process, touching on how personal experience, emotional ambiguity, and the influences of other artists inform her work. Thanks to Folk Radio UK for the premiere.
In advance of tomorrow’s anticipated Record Store Day revelry/hysteria, we’d like to remind you of our very first official RSD exclusive release, the first-ever reissue of Mike Cooper and Derek Hall’s Out of the Shades EP, available as a beautifully restored 45rpm 7″ exclusively at participating shops tomorrow, April 16, 2016. Stream the little-heard “Skillet,” and remember to keep it good and greasy all the time.
We are pleased to announce the first-ever reissue of folk & experimental music icon Mike Cooper’s earliest recordings & PoB’s very first official Record Store Day exclusive release. Named for The Shades, the Reading, UK folk club where Cooper regularly performed, & which housed prodigy Derek Hall—“a guitarist who could actually match Davey Graham both in technique and musical ideas” —this rare EP was issued in 1965. Get it only on RSD 2016.
The behemoth known as SXSW is almost upon us, and several PoB artists will be joining the melee, including rare appearances by Lavender Country, both live onstage (with some special guests sitting in) and at festival world premiere screenings of the new documentary short These C*cksucking Tears. The Weather Station and Nap Eyes will also each be playing several shows.
We are thrilled, humbled, and frankly still a bit awed, to announce our definitive editions of Terry Allen’s art-country classics. These are without a doubt the most extensive, detailed, and deluxe reissue projects we’ve undertaken to date, and we’re damn proud of the results. Pre-order Juarez now, and stream “Cortez Sail” via NPR Music’s Songs We Love. Today’s rainbow is tomorrow’s tamale.
Legendary Texan artist Terry Allen occupies a unique position straddling the frontiers of country music and visual art. Widely celebrated as a masterpiece—arguably the greatest concept album of all time—his spare, haunting 1975 debut LP Juarez is a violent, fractured tale of the chthonic American Southwest and borderlands. Produced in collaboration with the artist and meticulously remastered from the original analog tapes, this is the definitive edition of the art-country classic.
First-ever reissue of folk and experimental music icon Mike Cooper’s historic earliest recordings and PoB’s very first official Record Store Day exclusive release. Named for The Shades, the Reading, UK folk club where Mike Cooper regularly performed, and which housed prodigy Derek Hall—“a guitarist who could actually match Davey Graham both in technique and musical ideas”—this super rare EP was issued in 1965. (ON SALE)
Happy release day to Nap Eyes! The reviews of Thought Rock Fish Scale are coming in, and they are uniformly glowing, including a thoughtful 8.0 review from Pitchfork, a 4/5 from MOJO, a 4/5 from The Irish Times, and an 8/10 from Drowned in Sound. “Brimming with passion and protest… Let this record be the first step in your rehabilitation from information overload,” writes Pitchfork’s Stuart Berman.
